Expanded Works Archive

Early austere chordal writing; appears as Nos. I–IV in the corpus.

Core early cycle (Nos. I–III), harmonically bold and restrained.

Appears as Nos. I–III (unaccented spelling in filenames normalized).

Multiple numbered items (I–VI) with punctuation/spacing noise normalized.

Short titles clustered in the corpus: likely early salon / character pieces.

Directly present as a standalone title in the esoteric folder.

Three signal-like pieces (Air de l'Ordre / du Grand Maître / du Grand Prieur).

Appears through three act-preludes (vocation / initiation / incantation).

Three act-labeled entries in the same esoteric corpus cluster.

A related set of devotional/esoteric titles, normalized from spelling variants.

Complete multi-item cycle appears with long subtitle variants in filenames.

Appears as liturgical movement titles in the vocal corpus.

Core Montmartre/café-concert titles recurring as songs and piano versions.

Corpus includes multiple named vocal sets with consistent family naming.

Normalized from multi-level numbering and punctuation variants.

Appears as movement-level filenames (Manière de commencement, Prolongation, En plus, Redite).

Both cycles appear with movement-level entries and stable naming.

Two central satirical families, fully represented by numbered movements.

Movement-level track names normalized and grouped at cycle level.

Consistent movement labeling; includes historical parody subtitles.

A substantial corpus section of concise piano miniatures with narrative captions.

Appears as a long numbered sequence in the corpus (No. I–XXI).

Canonical satirical/pastiche works, consistently titled in the collection.

Grouped from two-prelude and véritables-préludes filename variants.

Complete theatrical dance items (Quadrille, Valse, Mazurka, Polka, etc.).

Core sequence present; one movement also appears in rediscovery folders as a duplicate variant.

Clear tri-part structure in filenames; some numbering artifacts retained in aliases.

Prelude + act excerpts and interludes grouped from multiple track labels.

Appears consistently as a five-item theatrical set.

Multi-item ballet sequence represented across numbered track entries.

Relâche appears in two parts; Entr'acte appears as film-linked score material.

Full family present; one movement duplicated in rediscovery folders.

Appears explicitly in stage cluster as furniture-music material.

Present as Portrait de Socrate / Bords d'Illissus / Mort de Socrate.

Complete set represented with minor filename encoding artifacts.

Includes Premier menuet and nocturne-related sketch/companion titles.

Sketchbook-like entries, references, and fragmentary labels; retained as a separate family.

Work identity appears stable in naming, but period placement is kept uncertain pending score-level verification.

Includes duplicate movements, arrangement variants, and items with unresolved title encoding or edition context.